Runny Nose Symptom Pneumonia

mom had a minor heart attack today
2 years that you no longer have a body
these days I did one thousand one thousand dishwasher and washing clothes
I took a shower at my grandmother and I cooked ilrisotto
cappuccino with black cabbage and turned purple
I wanted to see a woman with four breasts, I did not believe, I said, I've always seen that you had I think the two
trolley from the ranks of the fair and stand
remember:
a loving embrace with a kiss of welcome.
attempts to marry me. Lithuanian
a beverage made of honey and vodka.
coffee with grappa.
the smile of a bartender and Camst of those tired and hysterical by the end of a shift more elderly barmaids.
the reverence of the hostesses of Taiwan that have soured Italian red and a little man with bags of cardboard apple printed in silver.
km between the lanes and eyes that select shapes colors textures and balance the whole, the radar works.
happiness to pay for books that I'm falling in love again every time I open them or imagine them and all I wanted to take me home.
a beautiful story of animal umbrella mono-pede.
the vanguard of the march on the east london.
the hostesses Polish theater snob that dissolve in an involuntary Pagliaccia Italian trying to bribe to get a book that is not for sale.
smile, I laugh, I am kind, I like the courtesy, at times embarrassed by more than one 'offense.
now I remember when I was young and everything was just for a moment, timeless, and a sheet White had no time and also trimmed the markers and crayons and discharges bitten, there were only in my dreams-functional (it can be said?) lived on the sheet and is never exhausted.
I would like to be a box in my arms and hands without feathers and wings, but be invisible and travel to see what people are doing.

What Happens When A Dog Eats A Loaf Of Bread?

Luca Serra-Dilema, The Boogie Man and Other Accidents

Opens Saturday, March 13 at Galerie Carzaniga Basel "Dilema, el Hombre y Otros accidentes of Saco," staff Luca Serra, born in Bologna in 1962 years transplanted in Al-east. In the exhibition, some thirty works - casts - on canvas belonging to the most recent formal research, an ideal extension of the path already taken by the author.

The exhibition, the fourth solo show at Galerie Carzaniga, continues until Saturday, April 17 - catalog produced by the gallery.

Galerie Carzaniga

Gemsberg 8 CH-4051 Basel
Tel +41 61 264 30 30
Fax +41 61 264 30 31
galerie@carzaniga.ch
www.carzaniga.ch

ESPAÑOL

Saturday 13 March, Carzaniga Gallery in Basel opens the exposition of "Dilemma, the Boogie Man and Other Accidents" of Luca Serra, born in Bologna in 1962 But living in Andalusia Since Many Years. An exposition of around 30 of historical works, treads on canvas, deriving from last historical research.

The exposition, the fourth of historical at Carzaniga Gallery, will last Until Saturday 17 April. The catalog is available-through the gallery.

Galerie Carzaniga
Gemsberg
8 CH-4051 Basel
+41 61 264 30 30
Fax +41 61 264 30 31
galerie@carzaniga.ch
www.carzaniga.ch
Luca Serra

Dilema, of Saco el Hombre y Otros accidentes


Opens Saturday, March 13 at Galerie Carzaniga Basel "Dilema, el Hombre y Otros accidentes of Saco," staff Luca Serra, born in Bologna in 1962 in Al transplanted East for years. In the exhibition, some thirty works - casts - on canvas belonging the most recent formal research, an ideal extension of the path already taken by the author.

The exhibition, the fourth solo show at Galerie Carzaniga, continues until Saturday, April 17 - catalog produced by the gallery.

Galerie Carzaniga
Gemsberg
8 CH-4051 Basel
+41 61 264 30 30
Fax +41 61 264 30 31
galerie@carzaniga.ch
www.carzaniga.ch

ITALIANO

Luca Serra
Dilema, of Saco el Hombre y Otros accidentes

Saturday 13 March, Carzaniga Gallery in Basel opens the exposition of "Dilemma, the Boogie Man and Other Accidents" of Luca Serra, born in Bologna in 1962 But living in Andalusia Since Many Years. An exposition of around 30 of historical works, treads on canvas, deriving from last historical research.

The exposition, the fourth of historical at Carzaniga Gallery, will last Until Saturday 17 April. The catalog is available-through the gallery.

Galerie Carzaniga

Gemsberg 8 CH-4051 Basel
Tel +41 61 264 30 30
Fax +41 61 264 30 31
galerie@carzaniga.ch
www.carzaniga.ch

Is It Safe To Use A Server Blade Without The Rack

Jon Groom colored square and historical work presents Maggie Taylor

Jon Groom was born in Powys, Wales in 1953. He attended the Cardiff College of Art and Sheffield Polytechnic. In 1980 his works were acquired by the Victoria and Albert Museum in London, his first exhibition at the Art Lorenzelli dates back to 1988 in via S. Andrea. In 1990, returning from a period of two years spent in New York, to perform a Lincoln Ca

thedral, Lincoln in the UK, using a series of paintings on copper. Created over the years numerous murals and installations, in various contexts in England, Germany and France. He lives and works between Monaco e il Galles.

Jon Groom was born in Powys, Wales, in 1953, and studied at the Cardiff College of Art and the Sheffield Polytechnic.

In 1980 his works were obtained by the Victoria and Albert Hall in London, while his first exhibit, given at the Lorenzelli Arte Gallery in Via S. Andrea, dates back to 1988.
In 1990, on his return from a two year period passed in New York, he set up an installation at the Lincoln Cathedral of Lincoln in Great Britain, making use of a series of paintings on copper. Throughout the years, he created murals and installations in the most varied contexts in England, Germany and France.
He now lives and works between Munich and Wales.

Red necklase 2008

Acrylic, pigment on canvas

80 x 100 cm

Harley Davidson Genital Tattoo

PaciArte

PaciArte is pleased to introduce exclusive Italian Maggie Taylor, American artist who through photographic manipulation takes us a journey into of what appears to be a picture book.

Starting from scanning old snapshots or drawings, through a manipulation with Photoshop, get the results that keep one hand on the other hand the charm of the past and make us reflect on the versatility of photography through to new technological solutions.

In the selection of subjects, colors and settings there is a reference to the drawings of children in which no solution is bold or out of place because you are in the magical world of imagination.

Using Photoshop has allowed this artist to experiment with new solutions and to achieve remarkable results, as she says: "When I start work on an image I have no idea what will be the final result. Reassemble and integrate fragments of the past is a process full of frustration, surprise and wonder. "

Inside the exhibition will present all the series so far performed by the artist as "Almost Alice" inspired by "Alice in Wonderland" and "This & That".

attending the inauguration and the artist will present the catalog published by PaciArte with a critical essay by Gigliola Foschi.

The exhibition will be preceded by a conference to be held Friday, April 9, 2010 at 14:30 at the Aula Magna of the Academy of Fine Arts Santa Giulia di Brescia in cui l’artista esplicherà la sua tecnica artistica.

Per informazioni: www.paciarte.com

PaciArte is glad to present exclusively for Italy the American artist Maggie Taylor, who, through photography manipulation, leads us to a journey inside a book which seems to be illustrated.

Starting from a scan of an old picture or drawing, through a manipulation process with Photoshop, she obtains results that maintain the past enchantment, on one side and, on the other one, they make us think about the versatility given to photography by the new technical solutions.

By choosing objects, colours, and settings she recalls drawings from childhood, when no solution is too daring or inopportune, since we are inside the magical world of imagination.

The Photoshop use lets the artist experiment new solutions and come to astonishing results, as she says: “When I start working on an image, I’ve got no idea of the ending result. To recompose and integrate bits from the past is a frustrating, surprising and marvelling process”.

All the series created until now, such as “Almost Alice”, inspired by “Alice’s Adventures in Wonderland” and “This & That”, will be on show. The artist will attend the opening and the catalogue, published by PaciArte with text by Gigliola Foschi, will be presented.

For information: www.paciarte.com

Ho Do You Wear Compression Shorts

MIART 2010

in Milan March 26 to 29 the 15th edition

the International Exhibition of Modern and Contemporary Art with important news

It will take 26 to 29 March 2010 (opening March 25) the fifteenth MiArt, International Exhibition of Modern and Contemporary Art in Milan in the halls of citizens fieramilanocity . Major premise in the definition of the new edition is the quality already established in the last edition and firmly pursued for future editions through a careful selection and consistent. Goal MiArt, in fact, is its placement among the most important art fairs in the world. Continues, in this sense, the specific work of Alexander Cappello, Director of MiArt that since his arrival in 2008 initiated a radical change of the event. "Focusing on the art market: it was my goal when I said, and was commissioned a year later, thanks the excellent results in 2009, the goal remains the same. MiArt is making a change of course, with the rigid selection of galleries of proven reliability and prestige. MiArt must be synonymous with artistic excellence, a privileged place of cultural encounters, place of strategic trade. The fair, in my opinion, are the most neutral territory for the art market: this is where the industry come together, creating competition among them, which is crucial to ensure fair prices away from excessive speculation and often unjustified. These guarantees, already last year at a time when the global crisis had hit the art market, had caused MiArt generated a turnover of over € 8 million. I have no doubt that quality is the best guarantee for an investment safe and this is the way we decided to walk the last edition, which covers MiArt in 2010 leading to the top of the galleries a selection of Italian and foreign companies. For the future we will devote much abroad, but strong core of the important Italian who is believing in MiArt and that on this show is aiming for its visibility and its business. Raising the quality of the exhibitors about the show and bring together a considerable number of major Italian and international collectors are our passport to future issues, "said Cappello.

Confirmed for 2010 Giacinto Di Pietrantonio, curator of the sector Contemporary, Kathy Williams curator of Modern section. They are joined, in 2010, three new figures: George Verzotti, which has been entrusted with the guardianship of the catalog, which will Milovan Farronato MiArt Talk, the program of conferences and round tables at the fair and Francesca Ceccarelli , head of the VIP program.

renovated, compared to 2009, including the Advisory Committee, composed of dealers Marco Altavilla, Emi Fontana, Paola Guadagnino Epicarmo Invernizzi, Francesca Minini, Mauro Nicoletti, Lorcan O'Neill, Mario Pieroni, Mimmo Scognamiglio Giulio Tega.

New names for the Honorary Committee composed of people who, in different ways, support and promote the arts: Flavio Albanian, Corrado Belda, Daniel Bosser, Pierluigi Cerri, Paolo Consolandi, Lieven DeClerk, Ernesto Esposito, Giorgio Fasol, Alessandro Mendini, Giovanni Puglisi, Patrizia Sandretto Re Rebaudengo.

Rich the book of special events that characterize MiArt 2010. Mirages confirmed, the path of contemporary art in the city promoted by the Department of MiArt and furnishings, Urban Décor EnjoyMiArt and the City of Milan, a major happening for the public and the city.

MiArt 2010

Date: 26 to 29 March 2010 Opening: Thursday, March 25, at the invitation

Place : fieramilanocity, Milan, Pad. 3-4

Secretariat: MiArt, via Varese, 76 - 20156 Milano

Telephone + 39 02 48550312 / Fax +39 024855042 - e-mail miart@fmi.it - www.miart.it

MIART 2010

from 26 to 29 March in Milan the 15th edition of the International Modern and Contemporary Art Fair holds some important novelties in store

The fifteenth edition of MiArt – Milan’s International Fair of Modern and Contemporary Art – will take place from 26 to 29 March 2010 (inauguration on 25 March), in the city’s trade fair pole of fieramilanocity. The first and most important thing to be said about the new edition is that the high quality standards characterising the last edition will be relentlessly pursued in the future, through a scrupulous and coherent selection. Indeed, the constant objective of MiArt is to maintain its positioning as one of the world’s premium art shows. It is in this direction that Alessandro Cappello has been determinedly working ever since his arrival in 2009, when he brought a radical change to the exhibition. “Ever since I was given this commitment, it has been my declared objective to focus on the excellence of the art market and, one year later, encouraged by the excellent results achieved in 2009, my objective remains unchanged. MiArt has undertaken a change of route, with its strict selection of galleries of proven reliability and prestige. MiArt must be synonymous of artistic excellence, a privileged forum for cultural gatherings and a strategic marketplace for doing business. Trade fairs, in my opinion, are the most neutral ground for the art market: it is here that trade operators meet up and enter into competition with one another, a fundamental condition for guaranteeing fair prices that are unconditioned by excessive and often unjustified speculation. Starting from the last edition, at a time when the global crisis had also affected the art market, these safeguarding factors allowed MiArt to generate a sales turnover of more than 8 million Euros. I have no doubt about it: quality is the best possible assurance for a safe investment, and this is the road we decided to go down at the last edition, and which we shall continue to follow in 2010, by bringing the top Italian galleries to MiArt, along with a selection from abroad. As far as the future is concerned, we shall also be focusing our sights a great deal on the overseas market, while backed up by an important Italian nucleus that believes in MiArt and which depends on this exhibition to obtain the necessary exposure and business opportunities. Our strategy for the coming editions is to raise the standard of exhibitors and attract a considerable number of great Italian and international collectors to the fair”, declares Cappello.

Giacinto Di Pietrantonio, curator of the Contemporary sector and Donatella Volontè, curator of the Modern sector, have both been confirmed for 2010. They will be joined by three new figures for the 2010 edition. These are Giorgio Verzotti, who has been entrusted with the catologue, Milovan Farronato who will handle MiArt Talk, the programme of congresses and round tables to be held within the fair, and Francesca Ceccarelli who will be responsible for the VIP programme.

The advisory committee has been completely renewed since 2009. Its members are the gallery owners Marco Altavilla, Emi Fontana, Paola Guadagnino, Epicarmo Invernizzi, Francesca Minini, Mauro Nicoletti, Lorcan O’Neill, Mario Pieroni, Mimmo Scognamiglio and Giulio Tega.

Some new names also appear on the Honours Committee, which is made up of figures who support and Promote the arts with Various ways and means clustering: Flavio Albanian, Corrado Belda, Daniel Bosser, Pierluigi Cerri, Paolo Consolandi, Lieven DeClerk, Ernesto Esposito, Giorgio Fasol, Alessandro Mendini, Giovanni Puglisi and Patrizia Sandretto Re Rebaudengo.

An enticing program of special events will give added zest to MiArt 2010. A new edition of Mirages Has Been Confirmed, this Being the contemporary art trail set up in town and Promoted by MiArt, together with the Urban Decoration and Public Parks Department of the Milan Municipality, and Enjoy MiArt, a great happening for the city and the general public.

MiArt 2010

Dates: 26-29 March 2010 Inauguration: Thursday 25 March, invitations only

Location: fieramilanocity, Milan, Halls 3-4

Organising Bureau: MiArt - Reviews SpA, Via Varese, 76 - 20156 Milano

Homemade Campers & Trailers

MY ART 2010 Milano (con) Temporary Art showing Milano

THIRD EDITION

from March 22 to March 30, 2010

and Superstudio Più in Zona Tortona


VERNISSAGE March 22, at 6:00 p.m. to 22:00
23 to 30 March, 16:00 to 20:00 hours

free admission



MiArt During the week, returns the path of con-temporary art with 26 events at Superstudio Piu, the great exhibition in Zona Tortona, and other creative locations in the district of Milan. An Off-the art exhibition, a surprising and complementary route to the Fair, an extraordinary event in the city, with proposals beyond national and international guests. New projects, unexpected spaces, great artists, young talent, meetings, performances, temporary gallery.

26 exhibitions and events, 147 Italian and international artists, 20 curators.

Information: http://www.con-temporaryart.it/

Haeler Famous Stars And Straps

Mike Giant @ Colombo Arte Contemporanea

On February 25th 2010 Antonio Colombo Arte Contemporanea of Milan opens the first solo show in Italy by American artist Mike Giant.
“I got the name Giant from skating with some friends, actually, I fell down really hard, and this guy I went with said ‘it felt like you went down like a giant’ and at that time there was a graffiti just across the same ditch we were skating, and I just kinda thought ‘oh that could be my name!’ and it is generic as that, you know, and then I started writing it maybe a month or two after that.”
Master of black and white, and representational leading figure of the mid-1990s underground movement in San Francisco, Giant is internationally known for his graffiti, his skateboards, his tattoos and the immaculate precision of his graphics.
Born in Upstate New York, Giant moved to Albuquerque, New Mexico as a child, where he later studied architecture. In 1993 he was offered a position drawing graphics at Think Skateboards in San Francisco. There he stayed for the next ten years developing his unique artistic style and becoming a leading figure of the street art scene.
At first most known for his graffiti art, recognizable by solid letterforms, his tattoo work has also become internationally renowned over the last decade. Since 1998 Giant has been working at remarkable tattoo shops in San Jose, San Francisco and New York City, next to Paco Excel, Mike Davis and Patrick Conlon. His recent work can be seen in the 2004 tattoo issue of Juxtapoz magazine.
In 2003 Giant returned to Albuquerque and opened the tattoo shop, Stay Gold. Back to San Francisco in 2007 he retired officially from tattooing and devoted his time to a more intentional way of drawing, very much guided by Buddhist meditation.
In February 2002, Giant had his first solo exhibition at WDWA Gallery in New York. His work has been seen in Tokyo with Sam Flores and Bigfoot, at Misanthropy Gallery in Vancouver, at Magda Danysz Gallery in Paris, as well as at numerous venues in San Francisco and Los Angeles. His drawings can be found on the latest Cinelli book, on apparel from Tribal Gear, Upper Playground, and REBEL8 clothing, his signature brand.
About the street scene in San Francisco he says: “First of all, I’m a ‘grandpa hipster’, and it suits me just fine. And after dedicating almost 20 years to writing graffiti, I hope it never dies. And as for track bikes, there have been hip, cocky young men and women riding them around the streets of San Francisco for over 100 years! Look it up. None of this stuff is played out, dead, or otherwise. It’s ongoing.”
For this unique Milan exhibition Giant created a new body of graphics, narrating stories of voluptuous urban femme fatale's on bikes, religious iconography, street views of San Francisco, a few indispensable skulls, unavoidable memento mori of the street world.
A video loop created by Giant’s friends and collaborators Colin Arlen and Sean Patrick will tell about his lifestyle; we will see him in action, biking his way around Frisco, writing on walls or on candid paper, and saying it in his own words…a black and white peaceful underground explosion.
A bilingual (Italian/English) catalogue will be published for the occasion, with words by Mike Giant, a text by Luca Beatrice and an interview by Silvia Girardi.

For more information visit: http://www.colomboarte.com/

Burleigh Tree Patternyellow Flowers

Lorenzelli Art Allen Jones @ Milan Italian fish


Beginning Thursday, February 18th at Lorenzelli Arte, an important personal showing of Allen Jones from the collection titled Aphrodite on the catwalk that displays an impressive selection of work from the artist in the last decade.

La rassegna, through the collaboration with the galleries of Thomas Levy of Hamburg and Patrice Trigano of Paris, presents a broad array of art: oil on cloth, drawings, sculptures-centered on the subject of the show and of the illusions that document a further evolution of the poetic artist, an initiator of English Pop art.

With fervid capacity, it describes the innate irony that gives Allen Jones his reputation, giving life to these paintings through a sensual and permeated atmosphere through the use of images showing impudent intimacy. The inspired musicians seduced by attractive dancers as they muse over their long legs, the conjurers that transport their partner in a state of suspension, the public described in a fragmentary manner, the curtains, the painted backgrounds, the infinite catwalks act as the actors and the elements of the show that evoke surprise on the stage through a Dionysian explosion of color.

Allen Jones therefore conceives the paintings as a performance and the cloth like a stage, a pictorial “device” inside which lives a background of landscape that mimics the property of his favorite artists: Matisse, Mirò, Picasso, Delaunay.

Decisive factors in the aesthetic equation of his paintings is constituted through the indispensable public presence because the paintings can be resolved.

These lively, vibrant, and dreamlike productions represent the key situations of great obsession for the dynamic of creative actions that the British artist, in all of his work, demonstrates through the metaphor of the sexual union between the man and the woman. From 1999, the year in which began the cycle The Magicians, the attention became concentrated on the capacity of the artistic generation of magic and the illusion that “those ephemeral territories, evoked on the stage of his paintings, hint at the power of the imagination and of the artistic sight in creating world parallels” (Blinda Grace Gardner, will in catalog). In this work Jones confronts implicitly the important questions of our human existence without actually specifying them and places caution on the creative energy that he considers the quintessential of life and of art.

The work of the artist takes the magical capacity of love that unites the contrary and makes itself into something new. The goddess of love and of beauty, Aphrodite on the catwalk, is central to the aesthetic concept of Jones, and even if the image of Venus that appears to us in his paintings is more closely related to the universe of the theatre, of the nightclubs, and with the variety shows that encompasses the impact on the artist, which is nothing but deep.

For more information visit www.lorenzelliarte.com