A group show with Jon Groom, Rupert Eder, Ivo Ringe and Joe Barnes.
1 March - 22 March 2011
Opening 2 March from 18 till 20
Sylvia Wald & Po Kim Art Gallery
417 Lafayette street
4th floor, New York
N.Y. 10003
tel:001 212 598 115
Wednesday, February 23, 2011
Mens Forehead Surgery
Jon Groom: About Painting
A group show with Jon Groom, Rupert Eder, Ivo Ringe and Joe Barnes.
1 March - 22 March 2011
Opening 2 March from 18 till 20
Sylvia Wald & Po Kim Art Gallery
417 Lafayette street
4th floor, New York
N.Y. 10003
tel:001 212 598 115
A group show with Jon Groom, Rupert Eder, Ivo Ringe and Joe Barnes.
1 March - 22 March 2011
Opening 2 March from 18 till 20
Sylvia Wald & Po Kim Art Gallery
417 Lafayette street
4th floor, New York
N.Y. 10003
tel:001 212 598 115
Green Tea Mochi Wrapping Recipe
Marcello Morandini
artesilva presenta:
MARCELLO MORANDINI
19 FEBBRAIO – 29 APRILE 2011
Inaugurazione sabato February 19, 2011 from 16.00
designs, structures, sculptures and architectural form of personal exposure Marcello Morandini, staged in the gallery spaces artesilva. Arts
as knowledge and cultural enrichment, such as habitat architecture and utopia: works have been exhibited in major cultural sites in Europe, America, Australia, Japan.
would be simplistic to frame the work of this great international artist in one of style, because his genius creations than with the canons of classical sculpture. After the development of the idea
base, Morandini entrusts the work to the development of mathematical certainty, the balance of relations formal scientifically verifiable. Rhythms and volumes, in a fine alternation of black and white, offering a limitless multiplication of books, with the key itself internally on their extent.
In his works the artist explores different themes and movement in space, such as torsion, tension, expansion, overlapping, and translates its investigation into the world of geometry, using the two-dimensional and three-dimensional language, the conceptual basis of his research is essential that everything around us can be understood as "livable."
True to its systematic approach, Morandini creates works in many different scales, from graphics to sculpture, architecture and design, absolutely original, recognizable and consistent, rigorous and creative with his work as an artist could in time find forms and sculptures made, consciously or unconsciously in the first and continuation of his research, had and have in their building, in addition to their formal private cultural enjoyment, even a concrete architectural and unpredictable vitality.
Some examples will be shown in this solo show, through large photographs and original artwork, which over time have clearly demonstrated this clear to them, and two extraordinary vocation.
Monday to Friday from 15.00 to 19.00, Saturday by appointment
Per informazioni:
artesilva
Via San Rocco 64/66
20831 Seregno (MB) italy
tel +39 0362231648
www.artesilva.com
ENGLISH
artesilva presents:
MARCELLO MORANDINI
19 February – 29 April 2011
Opening Saturday 19 February 2011 from 16.00
Designs, structures, sculptures and architecture form the personal exhibition of Marcello Morandini, shown in the space of the gallery artesilva.
Art as knowledge and cultural enrichment, architecture as habitat and utopia: works that are exhibited in the most important places of culture, in Europe, in America, in Australia and in Japan.
From Monday to Friday from 15:00 to 19:00, Saturday on appointment.
For information:
artesilva
Via San Rocco 64/66 20831
Seregno (MB) Italy tel +39 0362231648
www.artesilva.com 
artesilva presenta:
MARCELLO MORANDINI
19 FEBBRAIO – 29 APRILE 2011
Inaugurazione sabato February 19, 2011 from 16.00
designs, structures, sculptures and architectural form of personal exposure Marcello Morandini, staged in the gallery spaces artesilva. Arts
as knowledge and cultural enrichment, such as habitat architecture and utopia: works have been exhibited in major cultural sites in Europe, America, Australia, Japan.
would be simplistic to frame the work of this great international artist in one of style, because his genius creations than with the canons of classical sculpture. After the development of the idea
base, Morandini entrusts the work to the development of mathematical certainty, the balance of relations formal scientifically verifiable. Rhythms and volumes, in a fine alternation of black and white, offering a limitless multiplication of books, with the key itself internally on their extent.
In his works the artist explores different themes and movement in space, such as torsion, tension, expansion, overlapping, and translates its investigation into the world of geometry, using the two-dimensional and three-dimensional language, the conceptual basis of his research is essential that everything around us can be understood as "livable."
True to its systematic approach, Morandini creates works in many different scales, from graphics to sculpture, architecture and design, absolutely original, recognizable and consistent, rigorous and creative with his work as an artist could in time find forms and sculptures made, consciously or unconsciously in the first and continuation of his research, had and have in their building, in addition to their formal private cultural enjoyment, even a concrete architectural and unpredictable vitality.
Some examples will be shown in this solo show, through large photographs and original artwork, which over time have clearly demonstrated this clear to them, and two extraordinary vocation.
Monday to Friday from 15.00 to 19.00, Saturday by appointment
Per informazioni:
artesilva
Via San Rocco 64/66
20831 Seregno (MB) italy
tel +39 0362231648
www.artesilva.com
ENGLISH
artesilva presents:
MARCELLO MORANDINI
19 February – 29 April 2011
Opening Saturday 19 February 2011 from 16.00
Designs, structures, sculptures and architecture form the personal exhibition of Marcello Morandini, shown in the space of the gallery artesilva.
Art as knowledge and cultural enrichment, architecture as habitat and utopia: works that are exhibited in the most important places of culture, in Europe, in America, in Australia and in Japan.
From Monday to Friday from 15:00 to 19:00, Saturday on appointment.
For information:
artesilva
Via San Rocco 64/66 20831
Seregno (MB) Italy tel +39 0362231648
www.artesilva.com
Thursday, February 3, 2011
Fluttering Left Upper Abdomen
MI ART 2011 Art Fair 8 / 11 April 2011 @ Guggenheim
MiArt 2011. One hundred galleries, art from the beginning of the twentieth century to today.
hundred galleries, the top international artists, a pavilion, four-day fair. After two years of excellent results, both in terms of business of admissions, MiArt 2011 focuses more than the excellence of the art system through a further selection of galleries to present to the market and the public as a fair one, which houses the most important Italian galleries.
Scheduled from 8 to 11 April 2011 (opening Thursday, April 7 at the invitation and extended opening hours on Saturdays until 21.00), MiArt 2011 will be concentrated in one hall (Hall 3, fieramilanocity Scarampo Avenue, Port Theodoric) , where the galleries will be invited to the participation of the proposals placed by analogy according to the historical, contemporary and young people in favor of a comprehensive view of the international art scene.
Fiera Internazionale d'Arte Moderna e Contemporanea
fieramilanocity
08/11.04.2011 Rassegne spa
Strada del Sempione 28
20017 Rho (MI)
T. +39 024997.1
F. +39 024997.6579
miart@fieramilano.it
www.miart.it 
MiArt 2011. One hundred galleries, art from the beginning of the twentieth century to today.
hundred galleries, the top international artists, a pavilion, four-day fair. After two years of excellent results, both in terms of business of admissions, MiArt 2011 focuses more than the excellence of the art system through a further selection of galleries to present to the market and the public as a fair one, which houses the most important Italian galleries.
Scheduled from 8 to 11 April 2011 (opening Thursday, April 7 at the invitation and extended opening hours on Saturdays until 21.00), MiArt 2011 will be concentrated in one hall (Hall 3, fieramilanocity Scarampo Avenue, Port Theodoric) , where the galleries will be invited to the participation of the proposals placed by analogy according to the historical, contemporary and young people in favor of a comprehensive view of the international art scene.
Fiera Internazionale d'Arte Moderna e Contemporanea
fieramilanocity
08/11.04.2011 Rassegne spa
Strada del Sempione 28
20017 Rho (MI)
T. +39 024997.1
F. +39 024997.6579
miart@fieramilano.it
www.miart.it
Kates Playground Upside Down
Lee Ufan
Lee Ufan: Marking Infinity
June 24–September 28, 2011
This exhibition is made possible with lead sponsorship from Samsung.
Lee Ufan: Marking Infinity is the first North American museum retrospective devoted to artist, philosopher, and poet Lee Ufan, who has been active in Korea, Japan, and Europe over the last forty years. The exhibition charts the artist’s creation of a visual, conceptual, and theoretical language that has radicalized and expanded the possibilities for sculpture and painting. Lee is acclaimed for an innovative body of work that emphasizes process, materials, and the experiential engagement of viewer and site. The exhibition features some ninety works from the 1960s to the present—including a new site-specific installation—and will be installed throughout the museum, beginning with the rotunda floor and extending up the six ramps of the building and into two Annex galleries. The selection of paintings, works on paper, sculpture, and installations includes Lee’s most iconic works, many presented in America for the first time.
Lee Ufan was born in Korea in 1936. He earned a degree in philosophy from Nihon University, Tokyo, and has from the earliest stages of his work been critically engaged with the writings of Martin Heidegger, Maurice Merleau-Ponty, Michel Foucault, and Nishida Kitaro. In the late 1960s, Lee came to international prominence as the visionary theorist and most representative practitioner of the influential Japanese art movement Mono-ha (School of Things), applying the theories of structuralism and phenomenology to construct a model of otherness that was highly critical of modernism and in dialogue with international Post-Minimalist practices.
Lee Ufan: Marking Infinity is organized by Alexandra Munroe, Samsung Senior Curator of Asian Art at the Solomon R. Guggenheim Museum. Sandhini Poddar, Assistant Curator of Asian Art, and Nancy Lim, Asian Art Curatorial Fellow Provided curatorial support. The exhibition is Accompanied by a fully illustrated catalog.
Solomon R.
Guggenheim Museum 1071 Fifth Avenue (at 89th Street)
New York, NY 10128-0173 
Lee Ufan: Marking Infinity
June 24–September 28, 2011
This exhibition is made possible with lead sponsorship from Samsung.
Lee Ufan: Marking Infinity is the first North American museum retrospective devoted to artist, philosopher, and poet Lee Ufan, who has been active in Korea, Japan, and Europe over the last forty years. The exhibition charts the artist’s creation of a visual, conceptual, and theoretical language that has radicalized and expanded the possibilities for sculpture and painting. Lee is acclaimed for an innovative body of work that emphasizes process, materials, and the experiential engagement of viewer and site. The exhibition features some ninety works from the 1960s to the present—including a new site-specific installation—and will be installed throughout the museum, beginning with the rotunda floor and extending up the six ramps of the building and into two Annex galleries. The selection of paintings, works on paper, sculpture, and installations includes Lee’s most iconic works, many presented in America for the first time.
Lee Ufan was born in Korea in 1936. He earned a degree in philosophy from Nihon University, Tokyo, and has from the earliest stages of his work been critically engaged with the writings of Martin Heidegger, Maurice Merleau-Ponty, Michel Foucault, and Nishida Kitaro. In the late 1960s, Lee came to international prominence as the visionary theorist and most representative practitioner of the influential Japanese art movement Mono-ha (School of Things), applying the theories of structuralism and phenomenology to construct a model of otherness that was highly critical of modernism and in dialogue with international Post-Minimalist practices.
Lee Ufan: Marking Infinity is organized by Alexandra Munroe, Samsung Senior Curator of Asian Art at the Solomon R. Guggenheim Museum. Sandhini Poddar, Assistant Curator of Asian Art, and Nancy Lim, Asian Art Curatorial Fellow Provided curatorial support. The exhibition is Accompanied by a fully illustrated catalog.
Solomon R.
Guggenheim Museum 1071 Fifth Avenue (at 89th Street)
New York, NY 10128-0173
How To Get Rid Of Crease In Projector Screen
Enrico della Torre "To say the silence of light"
"To say the silence of light" paintings
1958-1962
Opening Thursday, February 10 from 18.00
Morris Street Gallery Nerino
3 20123 Milan
02 72001994
xplanart@galleriamorone.it
www.galleriamorone.it
hours from Tuesday to Saturday from 11 to 19
exhibition catalog with text by Flaminio Gualdoni
ITALIANO
"To say the silence of light"
works 1958 - 1962
Opening Thursday 10 February from 18:00
Gallery Via Morrone
Nerino
3 20123 Milan
02 72001994
xplanart@galleriamorone.it
www.galleriamorone.it
hours from Tuesday to Saturday from 11 to 19
Catalogue at the exhibition with text by Flaminio Gualdoni 
"To say the silence of light" paintings
1958-1962
Opening Thursday, February 10 from 18.00
Morris Street Gallery Nerino
3 20123 Milan
02 72001994
xplanart@galleriamorone.it
www.galleriamorone.it
hours from Tuesday to Saturday from 11 to 19
exhibition catalog with text by Flaminio Gualdoni
ITALIANO
"To say the silence of light"
works 1958 - 1962
Opening Thursday 10 February from 18:00
Gallery Via Morrone
Nerino
3 20123 Milan
02 72001994
xplanart@galleriamorone.it
www.galleriamorone.it
hours from Tuesday to Saturday from 11 to 19
Catalogue at the exhibition with text by Flaminio Gualdoni
How To Install Front License Platebmw
Osvaldo Licini: Masterpieces - EXHIBITION EXTENDED UNTIL 20 MARCH! Günter
Given the great public success and critical Osvaldo Licini show: Art will be open until March 20 instead of closing January 30!
The retrospective exhibition dedicated to Osvaldo Licini (Monte Vidon Corrado, 1894 - 1958), a master of twentieth-century Italian and international leading representative of abstract art, will present to the public a hundred masterpieces of the artist. The effort of this research was to reunite the paintings that belong to the strong core of Silvia and Lorenzo Licini, those now in the Gallery of Contemporary Art of Osvaldo Licini Ascoli Piceno, the many works in the collection of Bruno and Matthew Lorenzelli well that important Italian collectors, and those pictures of Licini that have become part of the major public collections.
Among the works on display, including the artist's works that are the permanent collection of the GAM, some of which are already incorporated in the path of the new system of museums.
The works on display represent the artist's career from the beginning, since the decade, until 1958, the year of his death, the same as the XXIX Venice Biennale, won the International Grand Prize for Painting: mainly those marked by his contacts with the Parisian setting, but especially on the approach Abstractism internationally, with a special stop on his glorious fantastic final variant, an alternative to the development of informal.
In 1968, the Galleria Civica d'Arte Moderna in Turin inaugurated the great retrospective exhibition devoted to painting Licini Osvaldo, who was born with very great ambition. This exhibition gave the 'consecration' of the artist plays a major role in the politics of the museum gallery, which in 1957 had already bought two books for the collection, preparation for the future: In the evening (large), 1950 and Winter, 1951.
Today, with this exhibition, we aim was to highlight, with appropriate emphasis, the decisive moments of more intense level of research, and more solitary imaginative rendering of the art of Osvaldo Licini; to recognize his ability to ask the shelter of the many instances that were language overlooking the postwar art scene, to end up more in highly autonomous, high-quality proposals.
The design of this retrospective has been entrusted to a committee composed of world-class scientific Birolli Zeno, critic, curator and art historian, connoisseur of the great personalities of Licinius, Luciano Caramel, professor at The Catholic University of Milano, Fabrizio d'Amico, former associate professor at the Faculty of Arts, University of Pisa, Danilo Eccher and Riccardo Passoni, respectively Director and Deputy Director of GAM. A comprehensive catalog published by Mondadori Electa types of about 240 pages, will accompany The exhibition, in addition to reproductions of all the works, the critical contributions of the Scientific Committee and philological.
GAM via Magenta, 31 - 10128 Torino Italy - t +39011 4429518 gam@fondazionetorinomusei.it 
Given the great public success and critical Osvaldo Licini show: Art will be open until March 20 instead of closing January 30!
The retrospective exhibition dedicated to Osvaldo Licini (Monte Vidon Corrado, 1894 - 1958), a master of twentieth-century Italian and international leading representative of abstract art, will present to the public a hundred masterpieces of the artist. The effort of this research was to reunite the paintings that belong to the strong core of Silvia and Lorenzo Licini, those now in the Gallery of Contemporary Art of Osvaldo Licini Ascoli Piceno, the many works in the collection of Bruno and Matthew Lorenzelli well that important Italian collectors, and those pictures of Licini that have become part of the major public collections.
Among the works on display, including the artist's works that are the permanent collection of the GAM, some of which are already incorporated in the path of the new system of museums.
The works on display represent the artist's career from the beginning, since the decade, until 1958, the year of his death, the same as the XXIX Venice Biennale, won the International Grand Prize for Painting: mainly those marked by his contacts with the Parisian setting, but especially on the approach Abstractism internationally, with a special stop on his glorious fantastic final variant, an alternative to the development of informal.
In 1968, the Galleria Civica d'Arte Moderna in Turin inaugurated the great retrospective exhibition devoted to painting Licini Osvaldo, who was born with very great ambition. This exhibition gave the 'consecration' of the artist plays a major role in the politics of the museum gallery, which in 1957 had already bought two books for the collection, preparation for the future: In the evening (large), 1950 and Winter, 1951.
Today, with this exhibition, we aim was to highlight, with appropriate emphasis, the decisive moments of more intense level of research, and more solitary imaginative rendering of the art of Osvaldo Licini; to recognize his ability to ask the shelter of the many instances that were language overlooking the postwar art scene, to end up more in highly autonomous, high-quality proposals.
The design of this retrospective has been entrusted to a committee composed of world-class scientific Birolli Zeno, critic, curator and art historian, connoisseur of the great personalities of Licinius, Luciano Caramel, professor at The Catholic University of Milano, Fabrizio d'Amico, former associate professor at the Faculty of Arts, University of Pisa, Danilo Eccher and Riccardo Passoni, respectively Director and Deputy Director of GAM. A comprehensive catalog published by Mondadori Electa types of about 240 pages, will accompany The exhibition, in addition to reproductions of all the works, the critical contributions of the Scientific Committee and philological.
GAM via Magenta, 31 - 10128 Torino Italy - t +39011 4429518 gam@fondazionetorinomusei.it
Milena Velba Freinds Coffee
Fruhtrunk: Ein Maler konkreter
The exhibition opens Thursday, December 2 from Lorenzelli Arts is a tribute to a great master of the landscape of geometric / concrete, a protagonist of the Second World War, Günter Fruhtrunk through a wide selection, approximately 50 works created over many different media: paintings, tables and iron made by the artist from the Fifties and the end of the seventies. Gallery has always followed closely the work and artistic development of Fruhtrunk, presenting the artist's personal five years.
The show opens with "5 Kreiss u. violettes Quadrat "1956 and" Weisse Positionen "of 1957/59, works of fundamental importance for the subsequent production of the artist. To continue "Zwei kleine large zwei Reihen", 1965, belonging to the same set of work that set out in the exhibition "The Responsive Eye" at MOMA in New York. Finally, a large number of paintings that represent a complete assessment of the production's best-known Fruhtrunk, some of them on metal with fluorescent colors while anticipating a group of painters who will work thereafter, on the other make her instantly recognizable symbol.
Bavarian German, a pupil of Fernand Léger and Hans Arp, friend, among others, Willi Baumeister, Max Bill, Julius Bissier and Arturo Bonfanti, Fruhtrunk has developed a personal language of form and concrete construction during the parable of his art, he carried to the extreme possibilities of color. Ben proves that this show, crossing about thirty years of activity, offers a comprehensive overview of the artist, always appreciated, but still unknown to the general public. Precursor of a language is still very present and that has inspired a great number of artists that he must a lot.
Final event of the year, which marks the fiftieth anniversary of the Gallery, the exhibition takes place in that part of the program which is in the rediscovery of artists little known to the general public, does not follow fashion but anticipating the market.
ITALIANO
The exhibition opening will be Thursday December 2nd at Lorenzelli Arts and is a tribute to Günter Fruhtrunk, an artist of great quality in the world of abstract / concrete geometry in the period after the Second World War. The works shown in the exhibition, around 50 works on canvas, metal table and produced Were Between the end of the Fifties and the Seventies. The gallery has always Closely Followed Fruhtrunk's work and artistic development and has organized 5 personal exhibitions.
The exhibition opens with “5 Kreiss u. violettes Quadrat” from 1956 and “Weisse Positionen” from 1957/59, that were fundamentally important works for the following production of the artist. Continuing with “Zwei kleine zwei grosse Reihen” from 1965 from the same series which has been shown in the exhibition “The responsive eye” at the MOMA in New York. And last but not least a couple of works that represent the most well known works of Fruhtrunk, some on metal with fluorescent colours that have been an example for many artists, and is a clear recognizable signature of his art.
As a German Bavarian, student of Hans Arp and Fernand Léger, friend of Willi Baumeister, Max Bill, Julius Bissier and Arturo Bonfanti, Fruhtrunk developed a very personalized, constructive and concrete language of forms. In the course of his artistic career, he has brought to the extreme the possibilities of colour. It is well shown in this exhibition that, through thirty years of activity, he offers a comprehensive view on his artistic path. He was a predecessor of a language that even today is very present and he has inspired a large group of artists that owe him a lot.
This is the final event for this year in which we celebrate the 50th anniversary of the gallery. The exhibition is set as part of the programme that consists of the re-discovery of artists that are less well known to the large public, not following the trends But Anticipating the market. 
The exhibition opens Thursday, December 2 from Lorenzelli Arts is a tribute to a great master of the landscape of geometric / concrete, a protagonist of the Second World War, Günter Fruhtrunk through a wide selection, approximately 50 works created over many different media: paintings, tables and iron made by the artist from the Fifties and the end of the seventies. Gallery has always followed closely the work and artistic development of Fruhtrunk, presenting the artist's personal five years.
The show opens with "5 Kreiss u. violettes Quadrat "1956 and" Weisse Positionen "of 1957/59, works of fundamental importance for the subsequent production of the artist. To continue "Zwei kleine large zwei Reihen", 1965, belonging to the same set of work that set out in the exhibition "The Responsive Eye" at MOMA in New York. Finally, a large number of paintings that represent a complete assessment of the production's best-known Fruhtrunk, some of them on metal with fluorescent colors while anticipating a group of painters who will work thereafter, on the other make her instantly recognizable symbol.
Bavarian German, a pupil of Fernand Léger and Hans Arp, friend, among others, Willi Baumeister, Max Bill, Julius Bissier and Arturo Bonfanti, Fruhtrunk has developed a personal language of form and concrete construction during the parable of his art, he carried to the extreme possibilities of color. Ben proves that this show, crossing about thirty years of activity, offers a comprehensive overview of the artist, always appreciated, but still unknown to the general public. Precursor of a language is still very present and that has inspired a great number of artists that he must a lot.
Final event of the year, which marks the fiftieth anniversary of the Gallery, the exhibition takes place in that part of the program which is in the rediscovery of artists little known to the general public, does not follow fashion but anticipating the market.
ITALIANO
The exhibition opening will be Thursday December 2nd at Lorenzelli Arts and is a tribute to Günter Fruhtrunk, an artist of great quality in the world of abstract / concrete geometry in the period after the Second World War. The works shown in the exhibition, around 50 works on canvas, metal table and produced Were Between the end of the Fifties and the Seventies. The gallery has always Closely Followed Fruhtrunk's work and artistic development and has organized 5 personal exhibitions.
The exhibition opens with “5 Kreiss u. violettes Quadrat” from 1956 and “Weisse Positionen” from 1957/59, that were fundamentally important works for the following production of the artist. Continuing with “Zwei kleine zwei grosse Reihen” from 1965 from the same series which has been shown in the exhibition “The responsive eye” at the MOMA in New York. And last but not least a couple of works that represent the most well known works of Fruhtrunk, some on metal with fluorescent colours that have been an example for many artists, and is a clear recognizable signature of his art.
As a German Bavarian, student of Hans Arp and Fernand Léger, friend of Willi Baumeister, Max Bill, Julius Bissier and Arturo Bonfanti, Fruhtrunk developed a very personalized, constructive and concrete language of forms. In the course of his artistic career, he has brought to the extreme the possibilities of colour. It is well shown in this exhibition that, through thirty years of activity, he offers a comprehensive view on his artistic path. He was a predecessor of a language that even today is very present and he has inspired a large group of artists that owe him a lot.
This is the final event for this year in which we celebrate the 50th anniversary of the gallery. The exhibition is set as part of the programme that consists of the re-discovery of artists that are less well known to the large public, not following the trends But Anticipating the market.
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